The Vocoder: From Speech-Scrambling To Robot Rock
by NPR Staff
If you've listened to pop music in the past 40 years, you've probably heard more than a few songs with a robotic sound. That's thanks to the vocoder, a device invented by Bell Labs, the research division of AT&T. Though the vocoder has found its way into music, the machine was never intended for that function. Rather, it was developed to decrease the cost of long-distance calls and has taken on numerous other uses since.
Music journalist Dave Tompkins has written a book about the vocoder and its unlikely history. It's called How to Wreck a Nice Beach: The Vocoder From World War II to Hip-Hop.
Tompkins says the machine played a significant role in World War II. After the U.S. government discovered that Winston Churchill's conversations with Franklin D. Roosevelt were being intercepted and deciphered by the Germans, it decided to invest in speech-encoding technology. So the National Defense Research Committee commissioned Bell Labs in 1942 to develop a machine — and Bell Labs delivered.
The vocoder wasn't without its flaws. Intelligibility of speech sometimes proved a problem, but Tompkins says pitch control was a bigger concern.
"They didn't mind world leaders sounding like robots, just as long as they didn't sound like chipmunks," he says. "Eisenhower did not want to sound like a chipmunk."
READ THE FULL STORY HERE
Showing posts with label Hip-Hop. Show all posts
Showing posts with label Hip-Hop. Show all posts
Thursday, May 13, 2010
Thursday, November 19, 2009
Video explains the world's most important 6-sec drum loop
From Wikipedia:
The "Amen break" was a brief drum solo performed in 1969 by Gregory Sylvester "G. C." Coleman.
The "Amen Break", "Amen", or imitations thereof, are frequently used as sampled drum loops in hip hop, jungle, breakcore and drum and bass music. It is 5.20 seconds long and consists of four bars of the drum-solo sampled from the song "Amen, Brother" as performed by the 1960s funk and soul outfit The Winstons. The song is an up-tempo instrumental rendition of an older gospel music classic. The Winstons' version was released as a B-side of the 45 RPM 7-inch vinyl single "Color Him Father" in 1969 on Metromedia (MMS-117), and is currently available on several compilations and on a 12-inch vinyl re-release together with other songs by The Winstons.
The Amen Break was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music - "a six-second clip that spawned several entire subcultures"
Labels:
Breaks,
Collaboration,
Drum-n-Bass,
Drums,
Funky Beats,
Hip-Hop,
Music,
Music History,
Music Producer,
Original Music,
Samples
Saturday, April 11, 2009
Musiq Love and Life 09 - Mega Event at JusMusiq inSL - Saturday, April 11th, 2009
MUSIQ, LOVE, LIFE '09 : MEGA EVENT @ JUSMUSIQTHIS SATURDAY APRIL 11TH 2009 2-8PMSLT!
PARTY SPOT#1: INSIDE JUSMUSIQ LOUNGE
HIP HOP/ DANCEHALL DJ'S:
DJ BROCKIE SPICER ( LONDON UK) 3-4pm
DJ BIG MIKE ( Michael929 Jefferson )(USA)4-5pm
DJ BLADE UNSUSTAINABLE**( LONDON UK)5-6pm
DJ ALEXI NAIDOO 6-7pm (PORTUGAL,LISBON)
************************************************************
PARTY SPOT# 2: JUSMUSIQ BEACHSIDE
HI FIDELITY/ DEFECTED HOUSE MUSIC DJ'S:
DJ DOUBLEDOWN TANDINO(USA)3-4pm
DJ DECKARD EAMES( JAPAN) 4-5pm
DJ SENSEI MILENA ( PORTUGAL, LISBON)5-6pm
DJ BLADE UNSUSTAINABLE** (LONDON UK)6-7pm
Labels:
Dancehall,
DJ Doubledown,
DJ Festival,
Doubledown Tandino,
Hip-Hop,
House Music,
JusMusiq,
Live DJ,
Second Life
Friday, March 6, 2009
DJs Doubledown Tandino and Blade Unsustainable - Fridays in March - 2pm-5pm (slt)

Fridays in March - 2pm-5pm (slt)
at Sin City Music Club
presented by Ravelong Productions and MJ's Clubwear
Live Turntable DJs Doubledown Tandino and Blade Unsustainable
spinning 80s, 90s, and 00s Hip-hop and Party Jamz! (BOUT TIME!)
with Sin City Hosts Maryjoanne Sideways and Lucylou Nightfire!
Dress to impress with unique urban style and show off your BBoy skills in the breakdance contest at Sin City Music Club
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