Showing posts with label Live Stream. Show all posts
Showing posts with label Live Stream. Show all posts

Tuesday, March 2, 2010

How to Stream Your Music Into Second Life - Six Software Source Clients Compared by Joe Bear

How to Stream Your Music Into Second Life
Six Software Source Clients Compared
By Joe Bear

Were you aware that your music can be streamed into Second Life using the same technology as internet radio? Bringing your music to this new audience requires a Shoutcast source client, which sends your music to a streaming server, which subsequently rebroadcasts your music to all the listeners in Second Life.

This article lists the leading choices in Shoutcast/Icecast source clients. This source client is the piece of software that runs on your computer, connecting the music you play with the streaming server.

What it does
The Shoutcast/Icecast streaming source client takes audio input from a program or hardware device, encodes it into a media stream, and sends the media stream on to a streaming server. Each step of this process requires configuration, and each program differs in the specifics of where you may find these settings. However, the settings themselves are fairly universal.

Music source
The input to the source client may come from a media player such as iTunes, Winamp, or Windows Media Player, or it may also come from a hardware device connected to your computer -- such as a mixer connected to a sound card or even an integrated laptop microphone. Your chosen source client will present a list of possible inputs from which you can choose to broadcast.

Encoding
Some source clients may be able to encode into multiple media formats. However, for compatibility with Second Life, you will need to use mp3. The Second Life viewer on your listeners' end does not support WMA, AAC, Ogg, or other formats. Further, you will find that if you try to use the most pristine mp3 encoding settings, your listeners will experience skips in the stream. It is best not to use anything higher than 44.1 kHz, 64 kbps, stereo. You should be able to find these settings grouped together.

Specifying the stream server
Lastly, you will need to specify the Shoutcast/Icecast streaming server to which the source client will connect. This will be in the form of a URL or an IP Address, a Port number, and a Password. Some streaming clients allow you to build a 'library' of servers, each with their own URL, port, and password. This is handy if you regularly perform at a number of venues. Each venue will have its own server. This allows you to, once configured, merely select a given venue's server from a list, and have all the values set at once. If your source client does not have this feature, you will need to manually enter this data every time for each venue.

Criteria
For each listed software streaming client, I list the price, where you can obtain it, what platform it runs upon, and other attributes. After reading this article, you should be ready to choose a streaming source client that meets your needs.
Before I list the choices, I will first define what the various attributes mean.

Operating System (OS) - This tells you what operating system the streaming source client is compatible with. There are choices for Windows, Mac OS, Linux, and other UNIX-like OSs.

Plugin vs. Standalone - Some Shoutcast/Icecast source clients are 'plugins', which operate inside of other programs. An example is the Shoutcast DSP Plugin, which installs 'into' Winamp as a host. Other source clients run in their own window, providing all needed functionality themselves.

Record functionality - Some source clients will also record (or 'archive') your stream. The stream is not only sent on to the streaming server, but it also is written to your computer's disk as an mp3 file. This allows you to play back your stream at a later date.

Presenting the candidates:

butt (broadcast using this tool)
  • Free
  • Linux, MacOS and Windows.
  • Open source project hosted on Sourceforge
  • Standalone
  • Streaming and recording simultaneously with different bitrates
This relative newcomer provides all the functionality that you would need or want. The fact that it is free, and runs on almost any computer, makes it a great choice.

Winamp with Shoutcast DSP Plugin
  • Free
  • Windows, Mac OS, Linux, other UNIX
  • Winamp makes Winamp Standard
  • Shoutcast makes the Shoutcast DSP Plugin
  • Host media player and Plugin
  • No built in recording functionality
This solution has been the mainstay in the Windows arena, mostly due to its price.

Nicecast
  • $40 (free demo)
  • Mac OS
  • Rogueamoeba is the company behind Nicecast
  • Standalone
  • Archive function
For years, this has been the standard in the Mac arena. Full featured.

Simplecast
  • $139
  • Windows
  • Spacialaudio produces simplecast
  • Standalone
  • No built in recording functionality
This selection comes from a company with a full line of professional internet radio tools.

Reaper with Shoutcast plugin
  • $60 (free demo)
  • Windows
  • Cockos makes Reaper
  • Landoleet is where you can get the reaper_shoutcast.dll plugin (this is NOT the same as the Shoutcast DSP Plugin for Winamp)
  • Host DAW and Plugin
  • Full multitrack recording capability
Reaper is a full-functioned DAW, from a company founded by the guy who first invented Shoutcast technology. Extremely powerful, with complexity to match.

EdCast
  • Free
  • Windows
  • Oddsock makes edcast
  • Available either standalone, or as a plugin for Winamp or Foobar2000.
  • Recorder not built in.
Both EdCast and its precursor Oddcast are from the same developer, along with a number of other useful music tools (including a stream recorder).

The envelope, please
If you are just getting started in streaming your music into Second Life, I recommend that you start with butt. Silly name, I know. However, it is free, does everything you want it to do, and runs the same way on any computer you're likely to have. Plus, it is an open source program, meaning that its future is pretty much assured.

Any of the other choices would be fine as well. They all work pretty much hiccup-free. If your needs are unique, there may be some reason to prefer another over butt.

Myself, I use Reaper with the Shoutcast plugin. Reaper is a full-featured music production DAW like Pro Tools, Logic, Sonar, etc. In fact, it was my DAW before I started streaming into Second Life. The fact that Reaper is from the guy the guy that invented internet radio (as well as Winamp, Gnutella, and other modern necessities) holds strong sway with me.

Get going!
You really can't go wrong with any of the above. Just grab one, grab the free Second Life viewer, create a free Second Life account, log on, and start performing for the eager Second Life audiences!
I hope you join us in this journey to a strange and wonderful new world. In the meantime, you may wish to do some early exploring on your own - it is free to get started! Just click the link below:
Joe Bear is an Ezine Articles Expert Author! Join Joe in Second Life -- you can find the tools you need to get started with a free Second Life account at his website Metaverse Musician -- just click here to get started!

Joe Bear has been making music for several decades on a commercially-successful basis. Bands and solo acts; live and in the studio; rock, blues, jazz, country, bluegrass, pop, and others; guitar, voice, keys, bass, drums, mandolin, and other instruments; singer, songwriter, producer, instrumentalist, teacher, engineer. With the demise of the traditional recording industry, and the plethora of new outlets for enterprising musicians opened by new technologies, he has been focusing upon these new markets.
Always a believer in extending a hand down to help the next person up, he is now sharing the knowledge he has gained in this uncharted territory. He is sharing this info on his blog at http://MetaverseMusician.com/blog/about. Please register at the Metaverse Musician blog for regular updates on these and other topics. This will entitle you to exclusive information -- including detailed step-by-step instructions on setting up to be a Second Life musician at no cost. Hurry -- time is limited on this offer!

(c) Copyright - Joe Bear, All Rights Reserved Worldwide.

Saturday, December 26, 2009

Audio Broadcast Streams - Musicians, Singers, & DJs: Perform Live Online to an Audience Around the World and in to Second Life & Virtual Worlds (updated Jan2010)

Ravelong Broadcast Stream Rentals
for Virtual Worlds and the internet. (Shoutcast)






To inquire, get more info, or to purchase a stream:
Email DJDoubledown@gmail.com or visit Ravelong Productions in Second Life
(inSL, contact Doubledown Tandino)

===

The concept:
It is possible to perform live music, sing, and DJ from your real life home.  Many people from around the world can tune in and listen.  Anyone can tune in to a live broadcast stream provided they have a broadband connection, meaning, listeners can tune in from the internet, from their mobile device such as a phone and avatars in-world can tune in too.

How DJing over the internet and into a virtual world works:
The DJ or musician plays/performs (in any computer software music player, external live instrument or DJ equipment). A program (Shoutcast, Simplecast, SAM, etc) on your computer then sends out any sound going through your computer's sound card. Your broadcast reaches a server relay and this is what is needed to stream music live at HIGH QUALITY.  The stream comes with a listener link. Any listener may hear the music you play LIVE. (For Second Life or a virtual world, that link goes into the land's music/audio link in order for inworld avatars to hear your broadcast.

Why rent one of your audio streams and not use some free streaming site?
Free streaming sites are low-quality sound.  You could be performing the greatest set of your life, and it sounds great to you in your home studio, however the listeners hear poor, lower than radio quality sound.  Dropouts, cut-offs, unstable, inconsistent low-quality sound is what you ALWAYS get with free streaming (for example: Ustream, Livestream, Tinychat, etc).  Free streaming sites and video conferencing sites were meant for voice discussion, and low-quality audio (at audio qualities of 32kbps or 64kbps which is worse than radio).  To perform an excellent pristine audio quality live show, you will want to make sure your audience hears what you hear, at CD-quality sound or above.

Free streaming sites do not come with customer service, technical support, troubleshooting, and emergency backup.  I do.   Now, with our 2010 improved servers and ISP, we are running at 100% uptime. Some clients that have relied on my streaming service have included IBM, Playboy, and many individual performers.  ALL have been with me (some for several years) because of my customer support AND quality of service.

OK, so, how much is this going to cost?
Less than you think it would.  Other companies try to rip you off.  If you were to do a search on the internet now, lets say on shoutcast.com for example, they are looking to charge at $50-$100 or more USD monthly!  That's insane!!  I charge what it really costs.  Depending on your package, it will cost $12-$15usd monthly (approximately $3800L/month).

Lets discuss your plans and expectations, and I'll be able to determine what is right for you as a live music performer.

-Doubledown Tandino
DJDoubledown@gmail.com




Wednesday, November 11, 2009

Ogg Vorbis Audio Streaming into Second Life


Ogg Vorbis Audio Streaming *finally* comes to Second Life!
by AntoniusMisfit of "A Misfit's Virtual Life"
 
Yesterday, the latest release candidate build of the Snowglobe viewer was released with relatively little fanfare. But for Second Life residents who use Linux as their operating system of choice, yesterday marked the arrival of a feature long desired: the ability to stream an open source audio format (Ogg Vorbis) within the virtual world.

[READ THE FULL ARTICLE HERE]

Monday, April 20, 2009

ProCaster - One-click live video streaming, powered by Mogulus

ProCaster One-click live streaming, powered by Mogulus

ProCaster is a new FREE desktop application that will dramatically and automatically boost your broadcasts to the absolute highest quality possible. It's also the simplest broadcasting application available, despite offering some great new features we think youʼre going to love. If you currently broadcast using the Mogulus Studio or Flash Media Encoder you really should check it out. ProCaster is fully integrated with Mogulus, including moderated control over your chat, Twitter, and 3D Effects that will turn any live presentation into an instant "Steve Jobs" keynote.

Learn more and download ProCaster for free today at www.procaster.com
Key Features

- Easiest to Use
This is the simplest broadcasting software to use, anywhere. With a single click you can be live on your channel!

- Highest Quality
Encode your broadcasts in the absolute highest quality possible, with automatic frame rate adjustment based on your connection speed. You'll see better results than Flash Media Encoder or any browser-based Flash application.

- Chat & Twitter Integration
Tweet to let everyone know you're live, and manage your channel's chat, all from right within the ProCaster application.

- Broadcast Anything
If you can see it, you can stream it. Cameras, Webcams, 3D games, Websites, PowerPoint, desktops... anything! All at full frame-rate.

- 2D & 3D Effects
Use picture-in-picture and real-time 3D layouts to combine your camera with your screen or game for incredible creative possibilities. Create your own "Steve Jobs" keynote presentation with the click of a button.

- Solid Desktop App
Get away from browser performance limitations and unleash the full power of your computer's processor.

If you want to do simple one-camera live broadcasting from your desktop, all you need is ProCaster (you can bypass the Mogulus Studio altogether). If you're already using FME, you'll enjoy the added simplicity and quality that ProCaster offers.. and the 3D Effects will blow you (and your audience) away!

ProCaster works in Windows, with a Mac version coming soon. It seamlessly supports both Mogulus Free and Mogulus Pro channels, and best of all, it's completely FREE!

digg story

Friday, April 10, 2009

Chillin with Snoop Dogg on his live Wake and Bake webcam show


Friday early morning made it to Twitter,
Snoop is tweetin' that he's gonna deliver
the live stream chill sesh in beamed from his office
so your boy Doubledown's sayin' ya gotta peep dis:

The wake and bake show, Snoop's latest invention
It comes from another world, another dimension
broadcast live and one more thing to mention
Twitter with Snoop, and the link below needs pressin':

http://www.ustream.tv/channel/snoop-dogg-live

DIGG IT

-----
TWITTER ACTION:

snoopdogg) we readin all ur comment!@snoopdogg - Snoop Dogg live http://bit.ly/14X7qK

Doubledown_inSL) @snoopdogg RT RT Snoop dogg live on the chill cam NOW!
Doubledown_inSLHey @snoopdogg GIN AND JUICE !! LAID BACK - Snoop Dogg live http://bit.ly/14X7qK

Doubledown_inSL)
Hey @snoopdogg snoop. give a wave to the cam so i can screen capture and blog it u

Doubledown_inSL
Hey @snoopdogg you ever use www.secondlife.com ? virtual world? perform inworld ?

Tuesday, April 7, 2009

MUSIC NOT POLITICS, Money Island and Trax Music Resource Center present MUSIC AWARENESS 2009

FOR IMMEDIATE RELEASE:

MUSIC NOT POLITICS, Money Island and Trax Music Resource Center present
MUSIC AWARENESS 2009

Music Awareness 2009 takes flight this Friday, April 10th as Washington, DC rocker Kevin M. Thomas (http://kevinsl.com) kicks off 100 hours of live music concerts set in the virtual platform known as Second Life. If you are not a resident of Second Life you can still catch all or portions of this historical event via streaming technology. Butterflies Radio will simulcast the entire 100 hours at http://butterfliesradio.com . You can listen live from the MUSIC NOT POLITICS website at http://musicnotpolitics.com . BZoO Radio will be simulcasting portions of the event at http://bzoo.org and you can listen directly in to the stream at http://TheStreamteam2.serverroom.us:8894

Although the initial intent for Music Awareness is to help reach new audiences within the world of Second Life it is also meant to bring the music community together and begin building bonds between musicians, ultimately strengthening the community. Additionally with the streaming technology, it is hoped this year’s Music Awareness event will reach well beyond Second Life and into the real world where fans can see they have a choice and musicians can see that there is a platform for exposure for them.

The traditional music industry has long held control over what artists get air play and what do not. We believe every musician has a right to be heard and that fans do have a choice. During Music Awareness we try to bring this all together in a party that continues to ring in everyone’s ears long after the event is over.

There are over 90 musicians coming together for this event, all performing from their home studios via streaming technology and coming directly to you. If you are in second life, the musicians are fully interactive with the fans that are represented by virtual avatars. Efforts are underway to ensure that all residents of Second Life can enjoy the event. If the Money Island sims are full there are several venues available for audio simulcast. The entire 100 hour event will be simulcast at Z’s Music Club http://slurl.com/secondlife/Mahteria%20I/221/36/404 . Additionally, other venues will be simulcasting portions of the event including but not limited to: Bay Vista, Cuddler’s Cove, Blueberry Hill, Sicily, and Anthology. If you are not in Second Life you can still tune in and support indie music and your right to choose.

For more information, check out an interview about Music Awareness at http://slcn.tv/programs/tonight-live
Check out articles about Music Awareness at http://thinkerer.org/Studios/StuBLISatwild.htm and at the SL Enquirer http://www.slenquirer.com/ (click on the music tab)

Wheelerwood Films has created an awesome promo video you can check out at http://www.youtube.com/watch?v=l5kmnojv6B4 to see some footage from last years Music Awareness event you can search Music Awareness at http://youtube.com

Updates for the event can be found at http://musicnotpolitics.com

Friday, March 6, 2009

Mixed Reality Real Life and Second Life DJ Event - Friday, March 6th, 2009 - Starts at 1pm (slt)

UPDATE: The BBC News picked up this story. PLUS the mechinima video of the event is now posted too.


Friday March 6th 2009
at the virtual Baltic Square
Join us 1pm (slt) till late as NGinSL and The PIXEL PALACE present

DJ Lineup:
1pm slt - CaptainBuck Rodgers
2pm slt - Robot Recreant
3pm slt - Shandy Stradling
4pm slt - MoShi Kamachi

at NewcastleGateshead (UK) in Second Life
and streamed LIVE from The Tyneside Cinema Bar in Newcastle in Real Life

Monday, August 11, 2008

How to Find Real World Talent in Second Life - By Eric Rice/Spin Martin


Eric Rice a.k.a Spin Martin wrote a brilliant article on FastCompany.com discussing an overview of the real world talent of the people not only taking place in Second Life, but taking place as real life careers; 8 specific SL professional careers in fact.

I was delighted to find myself mentioned along with famous SL music legend Cylindrian Rutabaga
on page 3.
"Under the hood, the Second Life software is a streaming media client, capable of playing Quicktime movies and Internet radio streams. Independent musicians like Atlanta-based Grace Buford (SL: Cylindrian Rutabaga), ‘perform’ by broadcasting from their homes or studios, to regular audiences around the world. This exposure has led to artists like Grace performing in venues around the country in real life. Club DJs are also part of the mix, performing nightly to enthusiastic crowds of club-going avatars, like East Coast DJ Brad Reason, who performs full time—virtually—as a club DJ as Doubledown Tandino for large and small venues alike."
Full Story:
August 5, 2008 By:Eric Rice

"Virtual worlds like Second Life are massive, interactive places that are as diverse as the Web itself. Is it possible to find real world creative talent in the metaverse? Of course! Here are six creative skills that exist in plain view -- and how to dig deeper."

Sunday, June 29, 2008

Nicholaz' Viewers for Virtual Live Performers

I edited the original title from Nicholaz' Viewers for Virtual Worlds

Nicholaz, mid-may released some amazing Second Life viewers (you know, you click the SL hand on your desktop? well this dude's got a different hand that loads different stuff).
I thought I would post this here because I was suprised to find out that so many SLers don't know there are alternate viewers for SL..... better ones!

The reason I bring this up here, is in relation to performers in SL.
Anyone streaming live knows the issue of:
SL + stream + not a great computer + not enough bandwidth = crappy show

So I recommend checking out their versions of SL viewers. They are lighter, and will take up less resources. Plus, Nicholaz provides options to remove things you don't want there stealing your bandwidth... such as voice, or water, or the sky.... who need nature crap loading when you're tryin to rock the party?

Nicholaz' Viewers for Virtual Worlds

If you've always thought you've had such a bad SL experience, try these out.
Especially if you have an old computer, try the "old school" version.

Eye Candy: current official viewer 1.19.1.4 (good if your have 1.19 installed already and if your computer can handle atmospheric bliss).
Bleeding Edge: 1.18.5.3 (good if your machine can't handle the fancy sky rendering or has problems with 1.19., it still gives you voice and the search all tab.)
Old School: 1.18.0.6 (before voice and chatterbox, rock solid workhorse, good for performance challenged machines and luddites :-)).
Snow Blind: 1.20.RC6 (bright skin, just experimental, expect problems, use at your own discretion)

Tuesday, June 3, 2008

Ravelong Shoutcast Streams Summer Special

Rent a Ravelong Shoutcast Stream for the Summer with this easy package:


$10000L for a 3 month stream. (now until September 1st)

100 listener / 128kbps / unlimited use 24-7 / emergency stream backup / friendly havailable help and troubleshooting




IM Doubledown Tandino inworld or email DJDoubledown@gmail.com for more info
To begin renting:
Stream from now until September 1st - Pay Doubledown Tandino inworld $10,000L
Stream for 1 month - Pay Doubledown Tandino inworld $3,800L

Tuesday, April 1, 2008

New Broadcasting & Recording Tool (Thanks Komuso!)




Komuso Tokugawa of sonicviz.com found a cool new broadcasting program, which is also great for recording shows.


Komuso: "I’ve been testing a very cool little xplatform open source streaming application.
A small learning curve, and then you can finally dump SAM, Simplecast, and that clunky winamp/shoutcast dsp plugin. Version 1.8 just released with updates to the recording function. Does both shoutcast and icecast, and records your stream at different [ie: higher] bitrate than the outgoing stream - perfect for live recordings."


Read more and get the program on Sonicviz


Wednesday, August 15, 2007

ASCAP and BMI Announce Launch of Online Music Cue Sheet Technology RapidCue

As mentioned before, BMI is in SL. Still after the interview, many are really bothered that BMI was welcomed in by Funky House Club. The general feeling is just to steer clear of BMI. The club owners and DJs I wanted to interview did not want to go on record for the concern that BMI is the enemy, and they all need to be avoided.... that is unless your music gets on their licensing service.

From the ASCAP website:
ASCAP and BMI Announce Launch of Online
Music Cue Sheet Technology RapidCue

Online standard set for electronic submission of music cue sheet data for
Television, Cable and Film music usage

August 14, 2007 - NEW YORK - ASCAP and BMI, the leading U.S. performing rights organizations (PROs), have announced RapidCue, a state-of-the-art cue sheet technology for the use of music in the film, TV and cable industries. RapidCue is a secured website that allows users to enter, manage and electronically submit music cue sheet data for television, cable and film productions to BMI and ASCAP. A cue sheet is a document that lists data on all the music performed in a particular film or television program and constitutes the basis of payment of royalties for performances of music in audio-visual programming.

Jointly developed by BMI and ASCAP over the past four years and setting an industry standard, RapidCue allows users to electronically and securely submit cue sheets to the PROs and provide electronic notification and acknowledgement of receipt. Developed with the participation of the film, television production and television network communities, the program offers electronic or hard-copy versions of cue sheets, as well as the ability to revise data.

"This standard-setting system will cut down the submission and processing time for the film, TV and cable communities when submitting music data for their productions," said Alison Smith, Senior Vice President, Performing Rights, BMI. "This secure, automated system will help ensure timely receipt to BMI and ASCAP so our composers, songwriter and publisher affiliates can be fairly compensated."

"RapidCue provides a cost-effective, streamlined cue sheet process for film, television production companies and television networks," said Al Wallace, Executive Vice President/COO, ASCAP. "At the same time, ASCAP members and BMI affiliates will benefit from the accuracy, timeliness and broader tracking of their music. We're happy to be able to begin rolling this out to the community."

Contact info@rapidcue.com for more information.

About ASCAP
Established in 1914, ASCAP (American Society of Composers, Authors and Publishers) is the first and largest U.S. Performing Rights Organization representing a repertory totaling over 8.5 million copyrighted musical works of every style and genre from more than 300,000 songwriter, composer and music publisher members. ASCAP also represents the repertories created by the international affiliates of 90 foreign performing rights organizations. ASCAP protects the rights of its members and foreign affiliates by licensing and distributing royalties for the public performances of their copyrighted works. ASCAP is the only American Performing Rights Organization owned and governed by its writer and publisher members.

About BMI
Now marking over 65 years in business, Broadcast Music Inc. (BMI), is an American performing right organization that represents a repertoire of more than 6.5 million musical works including the music of thousands of the world's most successful international composers. Representing more than 300,000 songwriters, composers and publishers in all genres of music, the non-profit-making corporation collects license fees from businesses that use music, which it then distributes as royalties to the musical creators and copyright owners it represents.

###

MEDIA CONTACTS:

For ASCAP

CooperKatz & Company, Inc.
Meredith Topalanchik
Tel: 212-455-8018
mtopalanchik@cooperkatz.com

ASCAP
Pauline Stack
Tel: 212-621-6278
pstack@ascap.com

For BMI

Hanna Pantle, BMI
Tel: 310-289-6328
hpantle@bmi.com

Jerry Bailey, BMI
Tel: 615-401-2825
jbailey@bmi.com

Monday, August 6, 2007

iBreaks Radio - Breakbeat Radio, Record label and Breakbeatonline.com enters Second Life

iBreaksRadio Nightclub - Breaks/Breakbeat, Techno, Funk, DnB

(SLURL will be posted here once SL is operational again)

Breakbeat, tech, funk, techno, minimal sounds for your lsitening pleasure with live in world and offworld DJ's. Over 8 hour each day of live performances plus additional inworld shows.

Current inworld DJ's:
Norgan Torok
Jmekka Oh

iBreaks Radio - Breakbeat Radio, Record label and Breakbeatonline.com music distribution. Our goal and drive is to unite a community and help expose our music to more of the world. The Compound is a huge area containing a group buildings incorporating the ibreaksradio nightclub, breakbeatonline shop, retail shop space, public sandbox and general hangout.
More info and Schedule please check the website or in the club itself at http://www.ibreaks.co.uk

Friday, July 13, 2007

July 13th - The Avastar Doubledown Issue






Lmao! Thank you Avastar for hooking me up, all over the July 13th issue! 5 PAGES of Doubledown! ...I think I'm gonna lay low for awhile. As a musician would say... "I'm'a get back ta workin' in da studio"

Thursday, July 12, 2007

Online Radio Is Saved; SoundExchange Will Not Enforce New Royalty Rates on Sunday

From Wired Magazine:
Online Radio Is Saved; SoundExchange Will Not Enforce New Royalty Rates on Sunday
By Eliot Van Buskirk July 12, 2007 7:35:30 PMCategories: Save Net Radio

At today's Congressional hearing about the new rates for online radio that would essentially destroy it (as readers of this blog already know), SoundExchange, which was scheduled to receive the new royalty payments on Monday morning (since the enforcement date falls on a Sunday), made a startling statement.

The SoundExchange executive [Jon Simson, executive director] promised -- in front of Congress -- that SoundExchange will not enforce the new royalty rates. Webcasters will stay online, as new rates are hammered out.

I just spoke with Pandora founder Tim Westergren, who expressed relief that Pandora wouldn't have to shut down on Sunday in response to the new rates. He said, "It was getting pretty close. I always had underlying optimism that sanity was going to prevail, but I was beginning to wonder."

He said everyone who called their Congress person about this should feel that they had an effect on the process: "This is a direct result of lobbying pressure, so if anyone thinks their call didn't matter, it did. That's why this is happening." The flyer DiMA distributed to Congress today probably helped a bit too, but overall, it appears Congress intervened due to pressure from web radio listeners.

Funnily enough, Westergren told me this mere hours after a representative of SoundExchange said
that the new rates are "etched in stone." Evidently not.

-----

Update: Another source -- close to the situation although not inside today's closed-door hearing -- confirmed the following: Pandora was there; "progress was made"; the minimum fees are indeed off the table; and SoundExchange and the webcasters that were part of the Copyright Royalty Board hearings are going to have another chat about the rates.

However, the source said the big question right now is whether webcasters not part of the CRB hearing might still have to pay the rates set by the board, minus the minimum fees.

Basically, this news qualifies as a reprieve, but internet radio won't be truly saved until negotiations result in a workable royalty rate.

Another Update: This story has been confirmed by Kurt Hanson of RAIN.

-----

Westergren had more to say, lending insight into a process that was largely opaque to non-participants. Apparently, the per-channel minimum fees mandated by the Copyright Royalty Board were never taken very seriously by those involved. They've now been taken off the table completely, saving Pandora, Live365, and other multicasters from their most imminent threat. Instead, per-station minimums will be capped at $50,000 per year.

"No one thought those per station fees were remotely rational. It only makes sense that they're being taken off the table."

As for the Copyright Royalty Board? They're entirely cut out of the process, having set the rates and then refused a rehearing. Going forward without the royalties being collected, SoundExchange and webcasters will negotiate a new royalty rate with Congress looking over their shoulder -- "and last but not least, the public looking over Congress's shoulder." Alternatively, Congress now has time to consider the Internet Radio Equality Act, which would set webcaster royalties at 7.5 percent of revenue and allow them to continue operating pretty much as they have been.

Either way, this is a big win for webcasters and their listeners. Again, this is a reprieve, and internet radio can't be considered saved until new rates are set that everyone can live with.

Monday, July 9, 2007

VOTE on SL Issue MISC-378 - The Ability to Keep our Stream Links PRIVATE! (Updated)

PLEASE vote on this issue so we may keep our streams private. https://jira.secondlife.com/browse/MISC-378

The "View Administration Options" (in 'client' dropdown menu) allows anyone access to view the audio stream link and the video stream link selected to stream into the land. Only the individual or group that has access to that parcel should have access to view the audio stream link and video stream link.


There are multiple reasons as to why we need this to happen immediately. Due to the nasty climate of the conditions arising with internet radio and broadcasting over the net, it is in the best interest of any streamer or stream provider to have the ability to keep their stream links private and unpublished.
Please take a few seconds and vote: https://jira.secondlife.com/browse/MISC-378
Update: Obviously this is not a solution to hide a stream link. What I am hoping LL will do is any and all steps to limit the link access since SL could provide that. No it is not a bug, it is just the first easy feature to remove in a series of steps to limit access.
The poster there thinks my attitude towards this issue is in dire need of support and the #1 cause currently in our world.... All I want is for people to become aware that it's not a good thing that a stream broadcast link in SL can be viewed publically. SL could make our stream links more private.

Friday, July 6, 2007

Doubledown's Decision regarding SLCC & Phreak Radio - updated

Here's what I've decided to do:
I, Doubledown Tandino, ain't gonna go livin' by no contracts no mo'.

I had agreed to play the SLCC, and now, apparently I have not agreed to play yet because I have not signed the contract. Do I even need to tell anyone I'm dropping out of performing at the SLCC, because I'm not even 'in' yet to drop out. But... yeah.... here's what I'm gonna tell them.

I may, or may not show up at the SLCC. Don't plan for me to be there. I may come to Chicago, I may come to SLCC, and I may just perform somewhere else in the great city. So, please take me off the lineup of performers and the lineup of the social/music panel, but if I am there, I'd be happy to DJ some music for Stroker's party, & I'd be happy to get up on stage and talk about music and the dj scene in SL.... but I'm not going to sign any contract to do that... and I'm not going to sue Phreak Media, no matter what they do.

In all honestly, I am still in support of SLCC, I am in full support of Nethermind, Flipper, Nexius; I think of them as good people and I'm glad someone is taking it on to try to create a SLCC. It's haaard work putting together a convention, and you learn from mistakes. My own professional real life event production experience includes creating over 3000 events. I took at an attempt at creating one convention once ....and failed. But we live and learn. The SLCC creators surely realize a convention like this takes professionals that do convention production as their profession. That is needed along side with the people who have the ideals of the event (nether, flip, etc). Conventions are hard to pull off right. And I applaud the effort. But.. at this point, I just am not at a place in my life where I want to tie myself to the SLCC. Maybe I will come, maybe I will DJ if you want me to, maybe I'll throw a party in my hotel room, who knows, I have to trust my gut... I just don't wanna feel stressed. And I don't want to be committed to anything but my girlfriend and moving to Florida. Its the SUMMER OF DOUBLEDOWN!!! WOOOO

signed
Doubledown Tandino

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Below is Taken from The SL Live Music Blog
http://blogs.talksecondlife.com/slimwarrior/2007/07/02/contract-ha-dont-sign-it/

This is in regards to a contract recently sent out to the musicians scheduled to perform at the Second Life Community Convention (SLCC 2007).

I commend Slim Warrior for bringing this issue up immediately in her blog. All of the musicians have been commenting there, so feel free to leave a "yeah that sucks" comment here, but leave your important comments for her blog.

Slim Warrior:
"It seems I am not one of lifes natural bloggers.. or maybe it is just because one blogs when one is inspired enough to do so, (or has time)
These times happen when perhaps happy, downright outraged or mostly general chit chat.. This particular post falls somewhere between sheer horror and outrage and also perhaps under the ‘hysterically funny must be joke of the day’ time.

I am of course referring to the SLCC. Many musicians who perform in Second life have been asked to perform at the convention, myself being one of them.. of which I am truly delighted to be part of.
SLCC = Chicago.. I live in London.. rather far away, so not wishing to wait until 3 days before to book a flight, last week I duly filled in various online forms (having racked around I dont know how many sites to find the best deal)
and Voila! I hand over my hard earned money (saved up and saved up) and grin to myself as I now have flights and hotel booked for the duration of this Wonderful event. Mucho excitement

Imagine my horror when inworld ( and via email) I receive the following erm… document.. I’ll call it document for now.
it was named actually as ‘SLCC Audio Release Form’."

The Contract:
*****
I hereby grant to Phreak Media, LLC and its legal representatives and assigns, the irrevocable, perpetual, unrestricted, global and exclusive license to broadcast, record, distribute, and/or publish any audio in which I am included, on

August 24-26, 2007 at Second Life Community Convention and related events, Chicago, IL for any purpose, without compensation. I hereby release Phreak Media, LLC and its legal representatives and assigns from all claims and liability relating to said audio. I further waive any right to inspect or approve the live audio and/or audio recordings or any printed or electronic matter that may be used in conjunction with them. I acknowledge that I am at least 18 years of age and competent to sign this release. I have read this release before signing, I understand its contents, meaning and impact, and I freely accept the terms.

This agreement shall be governed by, and construed in accordance with, the laws of the State of California.

Name (Print_____________________________Signature___________________________________
Email Address _________________________________________
Second Life Avatar Name (Print) ___________________________
Date ______________
****

Slim Warrior continues:
"Having read through several times, just to make sure I havent MISREAD anything, I immediately IM the sender with” You have to be KIDDING me!, upon which I get the reply to follow the discussion on a google group… so I rush of to peruse the postings only to have yet another shock upon then reading the following statement…..

“If you feel that it is either unfair or something that you cannot abide by in exchange for performing at SLCC, I understand and will accept your resignation from SLCC’s music lineup. I really hope you don’t feel that resigning is necessary, since all of this has been created in good faith with everyone’s best interest in mind. Phreak is, however, a business, and they are hoping to recover a small portion of their costs.”"

READ MORE HERE - and make sure to follow through the comments.

-=====================================

More on the story at Second Life Insider here

More on the story at Cylindrian's Blog

More on the story at Eric Rice's Blog

More on Tao's Blog

More on Second Thoughts

More on Matthew Ebel's Blog

Sunday, January 14, 2007

Second Life - DJ Gigs Available

WANTED: LIVE Second Life Streaming/Broadcasting DJs
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Owner/Manager is seeking DJs to do regular spots at Parkade Club. Time limited to 2pm-6pm weeknights, or 2pm-8pm Fri & Sat. All genres & styles of music considered. Please contact Andy Asylum for more info or to set up an audition.
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WANTED: DJs with a demo for Saturday night raves (no, not a club rave, a warehouse rave venue). DJ will also be featured on our 24/7 radio http://www.radioation.com/.
Contact Ganesha Xi for more info.
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WANTED: DJs. If you are an upbeat person who loves to chat and meet new people, then Club Republik wants you! We are looking for people of all walks of SL Life! The job requires commitment and reliabilty, and the ability to lead dialogue as well as follow. Club Republik has some of the friendliest and most open minded staff in all of SL, our goal is to continue to provide an interactive enviroment along with talented DJs. We're currently looking for people to work a new 9pm-11pm slot, although other shifts may be available . Also, you keep 100% of your tips!
If you are interested in learning more, please come by the club or IM our DJ Manager Ravovich Figtree.